Upcoming Exhibition
Ballet with the Devil
Artists
Dew Kim integrates K-pop aesthetics and shamanistic motifs in his multidisciplinary practice spanning videos, installations, and sculptures to address themes such as organised religion, folk beliefs, the body, and queer sexuality. By constructing a theatrical realm of gender fluidity, Kim maneuvers the notions of eroticism and desire to question religious taboos and embrace an idiosyncratic view of pleasure and pain. He previously exhibited in the Museum of Contemporary Art. Busan (2024), Alternative Space Loop, Seoul (2023), Para Site, Hong Kong (2022) and Documenta15, Kassel (2022), among others. His works were recently collected by the National Museum of Modern and Contemporary Art, Seoul (2025) and Sunpride Foundation, Hong Kong (2024). Meanwhile, Jaewon Kim utilises video, photography, and writing to further explore the discourses regarding queerness and HIV/AIDS. Contextualising the past, present, and future as multi-layered experiences, his works question and trace how the force of the disease reshapes the significance of, and the encounters with the invisible and excluded. His works are in the collection of the Ulsan Art Museum, Korea.
Joy Li explores the tensions in the interactions between everyday objects, animals, and the human body through sculpture and installation. Simplifying while exaggerating the daily mundane items and scenes by recontextualisation, her works intrigue the audience with the carefully staged theatricality and absurdity, allowing them to re-experience and interact with familiar objects in uncanny manners. Lastly, Tao Siqi delves into the desire of all forms through her intense colors, delicate brushstrokes, and characteristic close-up perspective. Her paintings are rooted in her fascination with the body and flesh as a medium of sensibility and sexuality. By creating a tension between beauty and destruction, tenderness and violence, temptation and taboo, her surreal scenes inspire a provocative viewing experience and conjure emotional unease, flickering between pleasure and pain.
Installation View
Works
Tao Siqi
A Moment
2024
Oil on linen
50 x 40 cm | 19.7 x 15.7 in
A Moment
2024
Oil on linen
50 x 40 cm | 19.7 x 15.7 in
INQUIRE
Tao Siqi
Stigma
2024
Oil on linen
100 x 80 cm | 39.4 x 31.5 in
Stigma
2024
Oil on linen
100 x 80 cm | 39.4 x 31.5 in
INQUIRE
Tao Siqi
Savoring
2025
Oil on canvas
60 x 90 cm | 23.6 x 35.4 in
Savoring
2025
Oil on canvas
60 x 90 cm | 23.6 x 35.4 in
INQUIRE
João Gabriel
Untitled
2025
Oil on paper
81.3 x 117 cm | 32 x 46 in (framed)
Untitled
2025
Oil on paper
81.3 x 117 cm | 32 x 46 in (framed)
INQUIRE
João Gabriel
Untitled
2025
Oil on paper
83.5 x 68.5 cm | 32.9 x 27 in (framed)
Untitled
2025
Oil on paper
83.5 x 68.5 cm | 32.9 x 27 in (framed)
INQUIRE
João Gabriel
Untitled
2024
Oil on canvas
145 x 170 cm | 57.1 x 67 in
INQUIREUntitled
2024
Oil on canvas
145 x 170 cm | 57.1 x 67 in
João Gabriel
Untitled
2025
Oil on paper
68 x 52 cm | 26.8 x 20.5 in
INQUIREUntitled
2025
Oil on paper
68 x 52 cm | 26.8 x 20.5 in
João Gabriel
Untitled
2025
Oil on paper
67 x 100 cm | 26.4 x 39.4 in
Untitled
2025
Oil on paper
67 x 100 cm | 26.4 x 39.4 in
INQUIRE
João Gabriel
Untitled
2025
Oil on paper
67.5 x 102.5 cm | 26.6 x 40.4 in
INQUIREUntitled
2025
Oil on paper
67.5 x 102.5 cm | 26.6 x 40.4 in
Shimon Kamada
The Night ends in Fire
2025
Acrylic and oil on linen
47 x 38 cm | 18.5 x 15 in
The Night ends in Fire
2025
Acrylic and oil on linen
47 x 38 cm | 18.5 x 15 in
INQUIRE
Shimon Kamada
Summer Broach
2025
Acrylic and oil on linen
47 x 38 cm | 18.5 x 15 in
Summer Broach
2025
Acrylic and oil on linen
47 x 38 cm | 18.5 x 15 in
INQUIRE
Shimon Kamada
The Ground is Lava
2025
Acrylic and oil on linen
60 x 80 cm | 23.6 x 31.5 in
The Ground is Lava
2025
Acrylic and oil on linen
60 x 80 cm | 23.6 x 31.5 in
INQUIRE
Jaewon Kim
Maybe I Longed for Collapse
2025
Pigment print
49.6 x 69.6 cm | 19.5 x 27.4 in
Ed. 1/5 + 2AP
Maybe I Longed for Collapse
2025
Pigment print
49.6 x 69.6 cm | 19.5 x 27.4 in
Ed. 1/5 + 2AP
INQUIRE
Jaewon Kim
Lingering State I
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
Lingering State I
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
INQUIRE
Jaewon Kim
Lingering State II
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
Lingering State II
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
INQUIRE
Jaewon Kim
Lingering State III
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
Lingering State III
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
INQUIRE
Joy Li
Transparent Trap
2025
Glass, butterfly specimen, screen, printed circuit board, rubber
18 x 32 x 17 cm | 7.1 x 12.6 x 6.7 in
Transparent Trap
2025
Glass, butterfly specimen, screen, printed circuit board, rubber
18 x 32 x 17 cm | 7.1 x 12.6 x 6.7 in
INQUIRE
Jaewon Kim
Lingering State IV
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
Lingering State IV
2025
Pigment print
37 x 55 cm | 14.6 x 21.7 in
Ed. 1/3 + 2AP
INQUIRE
Dew Kim
† Evangelical Envenom †
2024
Stainless steel, chrome-plated brass, silver, silicon and glass
50 x 10 x 10 cm | 19.7 x 3.9 x 3.9 in
† Evangelical Envenom †
2024
Stainless steel, chrome-plated brass, silver, silicon and glass
50 x 10 x 10 cm | 19.7 x 3.9 x 3.9 in
INQUIRE
Dew Kim
One Whispered Pleasure, the Other Promised Pain
2025
Gold-plated brass, blown glass
35 x 35 x 27 cm | 13.8 x 13.8 x 10.6 in
One Whispered Pleasure, the Other Promised Pain
2025
Gold-plated brass, blown glass
35 x 35 x 27 cm | 13.8 x 13.8 x 10.6 in
INQUIRE
Dew Kim
They Swallowed the Serpent and Called It Prayer
2025
Chrome-plated brass, blown glass
55 x 15 x 13 cm | 21.7 x 5.9 x 5.1 in
They Swallowed the Serpent and Called It Prayer
2025
Chrome-plated brass, blown glass
55 x 15 x 13 cm | 21.7 x 5.9 x 5.1 in
INQUIRE
Artists